Cumbres Pass - over 10,000 ft. It was an exciting day to be high in the Rocky Mountains; big wind, warm temps... in the 40's...and snow melt rushing down hill as fast as it can go in all ditches, creeks & gulleys. A very fun day of painting for my first new state of the year.
This 9 x 12 is painted on a pink Wallis board using a limited palette of soft pastels. I think it has the feel of a plein air painting...spontaneous, fresh with wind-blown clouds and a strong abstract design. I hope you see how much fun I had painting it. The air gets a little thin at 10,000 feet but I had been acclimated to approximately 7000' from Santa Fe.
State #17. A pretty November day and a quick painting...husband napping in car. I am always amazed at the number of churches in the rural south...one around every corner...one at the top of every mountain...no abandoned ones, either. They are painted and mowed and obviously loved...yes, I think one can love a building. Church parking lots often make great places to pull the car off the road and set up the easel for a painting.
While I was painting this peaceful scene some pigs in a passing car threw a full bag of trash out on the road and it blew all over this lovely little neighborhood. Since we're talking religion... may they go straight to hell.
bottom photo by Michael Poster, song by Woody Guthrie
An interesting morning on the French Broad River in Western North Carolina the day after heavy rains gave me a winter picture full of grays & blues & mauves. I'm sure the water was cold. It was certainly rushing down out of the mountains at quite a clip.
An abundance of public land in the Appalachian Mountains adds to the appeal of the Asheville area for painters, too, as well as hikers, skiers, rock climbers. It is a welcoming feeling to know the land I want to set up my easel on belongs to me!
SOLD This is an island near the New Hampshire border in the Connecticut River (with Vermont in the background). And another tiny floating grass island in the foreground which kept moving all around during my lovely afternoon painting on the river.
SOLD This is the same view I had each morning when I awoke in Tenants Harbor, ME. The soft deep thumping of the lobstermen's boat diesels would start my day, too. Each day the sky was completely different, but un-mistakenly Maine.This is small; 10x10, completed in a couple of gusty hours one afternoon. Moral: she who hesitates misses the calm of the morning and has to spend some effort making sure her easel does not become airborne.I use a stone bag which I always carry with me (the stone I can usually find on location) and occasionally have to resort to bunji cords and shelter of a windbreak.Still sometimes a gust will determine where a stroke ends up.
SOLD I love old buildings, especially ones with an industrial or agricultural past. To my eyes this little power plant is beautiful. New England values, maybe; work, strength, purpose, grace. I sure had fun painting this little 14 x 11 pastel on a perfect warm autumn afternoon near Medburyville, VT.
A perfect fall day for spending time on Millers River in western Massachusetts. It doesn't get any better than this for a plein air painter, a few fly fishermen or my favorite photographer smoking a good cigar. We were the lucky ones! This 9 x 12 pastel painting was done using my well-used broken bit assortment of soft pastels on a medium gray Colourfix paper.
I am a pastel painter working in the studio as well as en plein air.
My work is colorful and hopeful and focused on the landscape. I love to stand out in a field and make a painting that expresses my feelings of and reactions to that time and place. I can think of no better goal than what Georgia O’Keeffe said: …”filling a space in a beautiful way.” I hope viewers will pause in front of my landscape paintings and see common sights in a new way.
My work is in collections world wide. I hold signature memberships in International Plein Air Painters and Landscape Artists International. I am a member of Pastel Society of America, Southern Vermont Art Center and Vermont Pastel Society. My work has been exhibited for over 35 years including 11 one-woman shows.